An AWESOME Prom

2017 Spartan Theatre production of The Awesome 80s Prom

In high school I totally skip the dating scene. I blame this on an incident that occurs during freshman year algebra. Our entire class is cutting up and an extremely popular jock I think is cute asks me for my phone number. At that very moment our teacher shuts down the ruckus and being an obedient child I don’t take the chance to even pass a note.

Later in study hall I try to explain but he’s having none of it. I have snubbed him and for the rest of my entire high school days I am considered not cool to all the jocks. And who else matters, this is 1960’s high school. In reality that missed note pass couldn’t have had one thing to do with my popularity, or lack thereof, with hot guys but whatever the reason in hindsight it is a good thing. I am not ready for the world.

All is good until prom season. Junior year involves selecting colors and themes and vendors. I am on various committees. We decorate the gym within an inch of its life. And that is that. No date. My best friend Sandy didn’t have a date either. We move on.

Senior year prom I think about asking a shy guy in our art class since I know that we will all die waiting for him to ask anyone but I never get up the nerve. He goes with a friend that pins him down, being braver than me. Our school photographer telephones to ask me to go with him. I feel that this is going to happen and dread the call. He is nice but dull, overweight and not cool. (After high school he drops the weight, gets a intriguing job and finds himself). I turn him down. Mom is aghast. I have turned down a date to the prom.

He asks Sandy. She accepts and gets to do the dress shopping thing and fancy hair and flowers. As mad as I am at her, the day of the prom I suggest that we go downtown to Lazarus shopping. As we head home a mean girls idea pops into my head and I decide that we will walk home. It’s a nice day. The walk takes us along the edge of a beautiful park and through the high dollar neighborhood of Bexley with its huge homes and manicured lawns. I have no idea what the distance is (seven miles) since we always take the endless bus ride to our stop, the last on the route, but she has let me down by scooping up my rejected date and in the back of my mind I want retribution. It takes us a couple of hours, she is tired and sunburned. I am miserably smug.

Later Mom insists on taking me over to see the decorated gym and then we go home and I probably watch TV or read a book.

So when grandson Martin snags the part of Louis Fensterspock, introverted computer nerd, in interactive The Awesome 80’s Prom I am set to party. After all it’s interactive, awesome audience participation is expected. West Springfield’s theater is undergoing a renovation and this 2017 fall production lands at nearby Burke Volunteer Fire & Rescue Department meeting room. The set is a simple one but it needs to be struck and reconstructed after and before each production, an added layer of stress. The weekend shows are not so bad but Thursday involves working around classes. The awesome crew gets it done in record time never missing a beat.

The last night of the three day run, Martin’s entourage; both set of grandparents, an uncle & teen cousin, his parents and teen sister do our part to make it a smashing success. We’re dressed for the part participants, Donny wears his tux and I’m in a smashing pink number. We’re having a blast. I’ve never seen this show so it’s all new to me. Outside before the show starts a cast member waltzes up to me waving a Ken doll and asks if I’ve seen Blake. I tell her I that can find Louis for her. I know that he’s about to arrive on his bicycle. She’s whispers, “He’s my boyfriend,” and whirls away.

An instant mini of me & DJ Johnny

As the show progresses things periodically happen on stage led by the school DJ. One such is the Best Dressed Boy. Gals from the cast weave through the audience quickly selecting five guys to join the DJ on the stage for this vote by applause event. After some dance breaks and other interactive moments it’s time for The Best Dressed Girl competition. Guys are told to do the selecting this time. I look around at who’s being picked. Suddenly a gal grabs my hand and says, “I’m not a guy but you need to be up there.” She pushes me toward the steps.

I’m game. I join the other girls on stage. The DJ counts us. There’s more than five. He shrugs whatever and proceeds to commence the vote. I look around. The gal next to me is pretty cool looking, she might win. The others are all beauties in their prom dresses. The first girl gets a good round of applause. I’m next. I step forward, hoping not to embarrass myself by receiving only a smatter of claps. I’m already a rogue entry.

The applause is decent. I’m happy, this is good. I prepare to step back, but the clapping doesn’t stop. It begins to swell. I’m baffled. Me? My outfit is rocking I’ll give you that. I worked hard on it. So I begin to milk the crowd. I wave. The applause gets louder. I urge them on. It gets louder. I’m elated albeit embarrassed on the flip side of the coin. All the other girls don’t have a chance. To be fair the DJ quickly goes down the line. And then back to me, his winner. I know the question is coming from watching the guy competition, “Where did you get your outfit?” No one really cares about that answer I decide, I deflect, “PARTY ON!” I shout into the mic. The crowd roars, they are with me.

My loot

Later I tell Martin that I could have quipped, “My closet.” He says someone already used that answer in another performance. Spared by my own wit. As I exit the stage I spy Lydia. “You set this up,” I challenge her. She grins, “I may have helped.” Martin/Louis closes the show with his eloquent delivery of how we may act and look different but we’re all really the same inside with the same needs and desires.  Then he declares his love for Kerrie (Ken doll girl) who pines after Blake but after Louis’ heartfelt speech realizes that he is the real deal. They kiss. It’s a sweet ending.

It really was an epic Awesome Prom.

 

Epilogue

April 2018 calls for entries in what will be the last Self Portrait Show Glenn Eure hosts. Pat will hopefully carry on the tradition but without Glenn and his pretty pill winks and his sincere, we need to get together soon to sketch nudes, it will be different. I don’t know this of course when I plan my entry but I do know that my Awesome 80’s Prom outfit needs clearance. I check with Pat & Glenn about such a big entry (the show room is small). “If it will fit through the door, you’re good,” Glenn promises.

I want to make a life size doll and dress her in the Awesome 80’s Prom finery complete with her prize goody bag. I stuff. I sew. I glue. She looks wrong. I tear things apart and start over. It is truly a labor of love. Finally I’m over it. I pose her in a chair. She is art show worthy but looks more like a wasted night on the town gal than a popularity contest winner. She doesn’t pick up any nods at the show. No matter I have already won well enough for the both of us.

When she comes home I nix trying to make her look real and position her in a Chagall exaggerated body pose which is perfect. To paraphrase a very young Martin who, when asked to do something, declares that he can’t move because he has no bones, my prom look alike doesn’t either. But she doesn’t need any. Her one job is to remind us of a fun night with awesome people and she’s a winner at that.

 

 

 

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Virginia & Slim NO Not THAT Kind (Part 1)

Two more mismatched people could not be imagined.

It was 1970, I was in my second year of teaching at Varina HS and assigned, for the second year, to be yearbook co-sponsor. Sponsoring extra-curricular activities was part of our teacher duties. I suppose you could request an area of interest but since I was on the yearbook staff in high school, it was an okay assignment. Or so I thought until I walked into the room and saw a beautiful but well beyond my age teacher assigned as my partner. This did not look good. The year before I had been paired with a guy teacher that had a pretty set opinion of how the book should be put together and as I jumped in mid-year I went with the flow. It was a pretty dreary book but the kids were fun. I was glad to not be with him again. But this teacher looked like trouble. She probably thought the same about me.

It only took about three sentences before Virginia and I discovered that contrary to both our beliefs we were no mismatch at all but a match made for each other. Neither of us would settle for anything less than perfect and that was the way it would be. We took the staff to workshop weekends, taught them how to take pictures, crop pictures, write copy and layout a decent book. The staff spent countless hours and days at the Mistr farm, where Slim & Virginia fed us and put up with us, getting everything right. Class time was just not enough.

It worked. Our book went from uninspired to trophy winning in just one year. We were elated. But never one to rest on our laurels, the next year we let the staff go for the big kahuna. They really wanted a tie-dye cover. We checked with our publisher, the American Yearbook Company. Yes, they could build the book with tie-dyed cloth we provided. That’s all any of us needed. Nothing was impossible, not even hand tie-dying individual pieces for 500+ yearbooks. Everyone looked to me to figure out the logistics, after all I was the art teacher.

We took a weekend field trip to the mountain corduroy fabric outlet where we bought bolts of cheap uncut non-dyed corduroy. Back home in Varina, we cut the cloth into rectangles. Then the dying began. Not to be satisfied with just one color, we had to have two. And so first we gathered by hand one at a time, several spot areas of each of those 500+ rectangles, dipped a spoonful of green dye into the middle and bound the spot with a rubber band. Then we applied more rubber bands creating a ball of sorts all the while making sure to protect the middle of the cloth where the name would go on the book spine.

Next the balls of cloth were dropped into huge vats of blue dye. All of this was done on the Mistr’s farm using their big kettles set up in the yard. No other way could we have accomplished such a huge task. After the balls were dyed and removed from the hot dye the rubber bands were removed and each piece ironed flat, boxed and shipped to AYC where they worked their magic and made our yearbook into yet another winner.

Got to interject an aside here, years later when Emily and fellow yearbook staff members at Manteo High School were having a discussion about their cover the book company representative, who happened to be from American Yearbook Company, told them about this high school that had hand tie-dyed cloth for their cover. It so impressed the company that they put a copy of our book in their display case. We were legendary!

Of course, even with the tie-dye cover the book only became a winner with someone like Virginia keeping her sharp pencil at the ready to fix any bad or wrong copy. We were fortunate to have Jim Mahone write most of our copy. His quick wit and way of saying much with just a few words was a dream for any yearbook to have on board. He went so far as to write his copy and captions on graph paper so that he could instantly know how many letters and spaces he had used. His own form of personal computer (his brain) letter count.

Virginia and I remained friends long after I quit teaching to have Emily, which was actually during the great tie-dye experience. I had to quit teaching at four months. I got an extension to stay until six months which coincided with Easter but after that I had to leave. Of course everyone knew I was pregnant but policy was policy. I could have come back the following year but Donny & I were fortunate enough to be able to let me stay home with the kids as they came along.

Donny & I moved into Slim & Virginia’s tenant house a few months after Emily was born and there we lived until we bought our first house, just around the corner at 54 Oakland Road, when Emily was 5 and Donald 3.

Slim & Virginia were unique people who crossed generation barriers with ease. They were simply a delightful couple who loved life. Virginia was a go to school and get your degree after the kids are grown mom. So actually she was as new to teaching as I was. We just came in through different doors.

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WELLINGTON Easter Bunny

In 1993, as some of you already know, I began a journey with a very special rabbit. He was originally a stuffed animal I made for our five children for Easter as funds were tight for store bought treats. But he was not content to be just any stuffed animal. He needed a name. Actually he had a name. “It’s Wellington,” he told me. He had a story. I must write it he told me. And so I did.

Thirteen books and a hundred plus illustrations later we reached the end of the book arc but not the story. World wide publishing has yet to come but it will. As I pull out paper Wellington files and dig into the computer for digital files because, even though his story reaches far beyond Easter and embrace no religion, Wellington is the Easter Bunny and spring is his season, I find this rare picture of the actual Wellington Rabbit and a few cards which I pasted below that he sent to us after he moved to Idaho. His story is in the preface to book  V, Lost and Found. Meanwhile ALL of the thirteen Wellington books are now online if PDF format for your instant enjoyment year around. Just click on the Wellington link at the top of my blog, or in the Pages list to the right.

And now Wellington has his own website!  He writes letters when the mood strikes. And all of the books are linked there as well as here.

 

 

 

 

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Filed under Animal Antics, blog, Chapter book, Children's book, Wellington Easter Bunny, Wellington Rabbit

Waltzing Through TIME

Me, Mom & Dad in front of our new home at 6414 Three Chopt Road. We called it The Little House. It was the transformed double car garage of 6416 or as we called it The Big House. Photo credit Donald Loving.

I got an out of the blue email recently from the son of a college friend of Dad & Mom’s. All my life I have randomly but consistently heard of Donald Loving. More from Mom than Dad. It usually was a comment in passing. Donald was my grandmother’s pick for Mom. But not one to listen to her mother, Mom chose otherwise. Still Donald remained in her life. They even renewed their friendship after Mom moved to Reedville and Donald was living in Newport News.

Apparently Dad and Mom never left Donald’s thoughts either. This is note from Lee Loving (we have yet to meet).

Hello Sandra:

 I have struggled with sending this email for months, but being the “family historian” and happening upon your blog; I convinced myself to send it.
Up until my father’s death in 2011; I had heard the name Starke Jett my entire life. My father would talk about those days  on the North Neck of Virginia; growing up with Starke and maintaining a strong friendship through his college years at Randolph Macon.
 
It all came to head one fall day in the mid 1960’s when Dad came home and said this Starke Jett was coming for a visit. My Mother, Brother, Sister, and I were put to the task of “getting the place ready” for Dad’s best friend. My Dad was an Aeronautical Engineer for NASA, so we were used to keeping things in order. But this was a different mission. He pushed us like no other. We double cleaned, racked, cut, vacuumed, and dusted. I mean the placed look like an Embassy Suites by the time we were done.
 
Then, there he was. The man my Dad talked about more than anyone else was before my eyes. He came with his wife and son. He was charming, fun to talk to. His wife was a bit quiet but sweet. We went trick or treating with his son. I’ll never forget the amount of compassion my Dad had for Starke.
 
Now some 50 years later,  I have discovered that Dad kept every letter he received since 1932. What an adventure it has been. Among the many letters were letters from a Margaret Ann. I didn’t think much about it until I saw a letter from Starke Jett saying how much he had enjoyed meeting Margaret. Then they were more letters from both Margaret and Starke to my Dad. Around 1940 Starke was writing from Ohio, having enlisted in the Air Force.
 
I still hadn’t put two and two together until I decided to research Starke. And that’s when I ran across your Blog, your Mom’s and Father’s Obituary.  What a wonderful pair they made.
 
I hope this hasn’t brought up any ill feelings. You seem to appreciate your family’s history and memories. Thus, I thought I would share my experience with your Dad and how my Dad admired him.
A few weeks later a package arrives (Lee has advised me to look out for it). Inside are thirteen moments in time. All are treasures beyond measure. I’ve selected a few to scan. I posted them here  in time order. The first is from my grandmother. The second a fun art letter of Dad’s. The third has Dad already gushing over Mom (they married two years later). The fourth a letter from my aunt Keese (Clarice) to Donald. And the last married lady Margaret Ann corresponding with Donald. She did all of the letter writing after she and Dad married. Before that the bulk of the thirteen were letters from Dad to Donald, mostly of the moment typical guy chatter. On the second page of the shipyard letter below Dad tells about going to Cuba and how desolate it was, although the women were quite something else.
I received the lead photo a few weeks after the letters arrived. Guess Donald did finally get to see me! And Lee promises if any of us are in the Atlanta area and have time to stop in, he and his wife will have the house spotless.

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A RAY of Sunshine

When I was still in single digits, a life event happened that burned a memory in my consciousness that is vivid to this day.

My mother’s cousin, and thus mine too, committed suicide.

She was young. She had a husband. And two small girls. They had a comfortable home in an old farm house. Not on a farm but they had a big a garden and lots of shade trees in their huge side yard and of course a rope swing for us kids. We visited upon occasion. Not a lot but it was always an easy visit, usually for supper or Sunday after church. My grandmother would have baked something to add to the meal. We all ate well and then plunged into amazing desserts.

In the early evening we kids would catch lightning bugs in the twilight while the grown-ups sat in lawn chairs and caught up with what was happening in their worlds.

Then it changed. This visit was awkward. I was scooted outside and told to go play with my cousins and by all means to not to go upstairs. My cousins were fun, but they were younger than me and besides I was intrigued. What was all the hush about.

I snuck inside and eavesdropped on the conversation going on in the sitting room. Phrases like slit her wrists, bled out, right in the bathroom upstairs tumbled over me. This was too much to hear. I clapped my hands over my ears and eased away. Then it struck me. I had to see. I had to see what that bathroom looked like.

I inched my way upstairs being careful not to make a sound. I could hear the grown-ups muffled voices carrying on and my cousins distant laughter in the yard.

The common bathroom was down a short hallway. It was a small room bathed in light from a window over the bathtub that stood to the left of the doorway. The room itself was probably carved out of part of a bedroom when indoor plumbing came into style, that’s how old this house was. The floor was tile. The pedestal sink with a traditional mirrored medicine cabinet was centered inside the door on the wall opposite.

I tiptoed to the stand and just stood there looking around. Being a kid I really wanted to see evidence of what had transpired. An overlooked drop of blood. Or more. Hidden is some corner. But there was nothing of course.

And so I just stood there longer than was safe because I could not move. I could not fathom how this loving person, this mother, this wife could be so desperate. What had travelled into her mind and confused her so? What misery held her so tightly and dragged her down to such a dark bottomless place?

It’s not a new question. But it was new to me then. I had no answer. I have no answer. As an adult I do know this. No one can possibly know what is in another’s mind. What may seem an awkward decision might be the better of a worse one. A final one. And therefore we are wise to not judge. Love is always the truer course.

And if suicide is where desperation leads we can only hope that each story such as this proves to be a nurturing guide toward sunlight and a new day.

Her name was Ray.

 

 

 

 

 

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After A FASHION

As I am photographing this for the blog I suddenly realize that I have an Eleanor Link piece of art. Sadly not original, but still a cherished treasure, she was such an icon.

“Jett, see what you can do with this.” My boss Gene South, or Geno as we all call him, has thrust a layout assignment into my hands. It’s my first week on the job. I have no idea what I’m doing but a quick study, I am rapidly learning the ropes. My two colleagues, Mark Burnett, Kay Wyland and I design print ad layouts for Miller & Rhoads Department Store in Richmond, Virginia. We work in a shared cubicle, one of many, on the seventh floor of the department store. Next week we’ll be moving down to the third floor because our department’s floor space is needed for the store’s new main frame computers, so everyone has told me not to get too settled.

The day is not over, I’ve finished my assignments so Geno grabs an upcoming but not immediate ad to keep me busy. Still so green but not wanting to show my ignorance, I forge ahead and create something I really like using the sparse instructions, showcase the store using a classic suit. Apparently Geno likes what I’ve done too because he tells me that he is going to use it and puts it into production a few days later. Eleanor Link, head fashion artist illustrates my design. I have landed on the back cover of the Richmond Symphony program! Later Geno even steps into my cubicle to show me the finished work. Praise from the normally taciturn boss. I’m legal.

But I’m getting ahead of myself. Let me tell you how I got this job. The year is 1966. I am graduating from Richmond Professional Institute (now VCU) with a Bachelor of Fine Arts. Per mom’s suggestion I have completed courses in teaching, but as much as I love kids, my still fresh student teaching experience has left me with little interest in the field.

And so I try several advertising agencies that have posted on the bulletin board of the graphic arts department, an off limits territory for fine arts students. The unwritten rule is that art students bond with their kind and never cross the invisible barrier. When I attended our college reunion two years ago the drama students that were entertaining us told me that they had a curiosity question and then asked me if students between the disciplines mixed when we were in school.  I laughed and assured them that apparently some things never change.

So I ignore the unspoken ban because I love Richard Carlyon and sign up for one of his commercial art lectures. I don’t care, I’m a rebel. I barely manage a C in his class but who cares I’m walking the walk and loving it.

None of the jobs are panning out. It’s evident that I know nothing about commercial art design. I cannot even get a job with Richmond newspapers through Chick Lawson, a good friend of my grandfather’s. And he’s pretty high up in the pecking order. I move on. Miller & Rhoads is a thought. Mom worked in Junior Colony as a young bride and mother. Surely there’ll be some job opening. At this point anything will do. I’m graduating. I need a job. But HR has nothing to offer.

Then a dorm mate tells me about an opening she has heard about in the Advertising Department of Miller & Rhoads. She’s in fashion illustration. I like the idea although I know nothing really about advertising. But that’s not going to stop me. In my mind’s eye I determine that I need to be dressed to impress. Really dressed to impress.

I decide that I need a hat, modest heels, gloves, a subdued sheath, pearls, a handbag, and matching hose. (Forget pantyhose, they are not yet on the horizon.)  I borrow most. I’m an art student, this type of outfit is not in my wardrobe. I take the bus downtown to the store. I get dressed in my borrowed finery in the ladies room and head up to the seventh floor where the advertising offices are located.

I have no appointment. I open the door to the department and practically fall into the receptionist’s desk which is right inside the door jammed into a tiny hallway and bumped up against a cubicle. There are no offices. Everyone has a minute cubicle with half walls so that they can shout changes to each other rather than waste time walking. Well, the director, Ashton Mitchell, does have an office but only he. I swoon. It’s an art world made for me. I announce that I am here about the job. In one telling look the receptionist, Cabell Bricker, sizes up both me and my outfit. I immediately realize that I’m on shaky ground.

This outfit which seemed like such a great idea is clearly so far over the top that it’s absurd. But I don’t back down. I look her in the eye, pleading. To her credit she does not blink an eyelash or worse, send me packing. I actually think that I recognize her and she me from campus parties, but we don’t run in the same circles, so neither of us goes there. Still it’s a small notch in my belt.

She’s intrigued enough that she yells for the art director. He appears, takes one look at me, inhales and glances at Cabell. She’s stifling a laugh. He looks me up and down. I hold my breath. He makes his decision and invites me to step into his cubicle. I breath a sigh of relief and quickly follow, not daring to look at Cabell lest she burst out laughing and break the spell. Geno browses through my portfolio. It’s all fine art work; etchings, lithographs, drawings. There are no designs, no advertising, no fashion illustrations. Expecting a rejection, I am elated when he tells me to go home, design six full page fashion spreads and bring them in for him to review.

I practically dance my way back to the dorm. And then panic hits. I don’t know anything useful for this assignment. I draft Gail, the friend who told me about the job. She’s as clueless as I am. She’s in illustration not advertising layout. I plunge ahead, borrow some swipes (fashion art by other artists to be used as prompts or figure placement when creating) from Gail and create my designs. I have actually taken a night school course in advertising but the most I learn from that is that our professor drives his Aston Martin to school and is willing to break for beer at Andy’s to end class early.

I turn in the completed designs to Cabell. This time I am dressed more like my real self. She’s says they’ll be in touch. Days go by. I hear nothing. I’m getting worried. We, the twentysome girls that I live with, share a common phone. Anyone within range answers it and takes a message if need be. I pester everyone. Maybe I got a call and the message did not get logged into the book. I want this job. I need this job. It’s mine. I draw up another series of ads and take them in. I explain to Geno that I redo the work because I figure that I can do better than the first set and hand him the papers. These are big 18×24 sketches. He rifles through them and probably figures that he is never going to get rid of me. He gives me the job.

A gift box with illustrations. Pat can do this in a heartbeat but she acknowledges that it is before her time. We decide that it is one of Bertha’s masterpieces.

Epilogue: Miller & Rhoads Advertising Roll Call 60’s Era

Ashton Mitchell “Mitch”, director. Hard to find a nicer guy. And the staff party he and his lovely wife threw every year at their waterfront home in Powhatan was not to be missed.

Gene “Geno” South, art director. A talented man and could carry a joke but you best toe the line on the clock.

My later immediate boss when I became the solo regional ad layout department, Jasper, or Jack to us, Horne, regional director.

Cabell Bricker, receptionist. She later becomes a great friend.

Mark Burnett, Kay Wyland, Eileen Talley (replaced me when I became regional staff of one layout artist), Bobbie Hicks (brought on when they needed even more staff) layout artists. Grouped as one because unlike everyone else who had their own, save production, we shared a cubicle. I did get my own cubicle when I was shifted to regional ads.

Pat Cully, illustrator. Our cubicles were next to each other, across the arms length hallway. I bought my first car from Pat & her husband Don (that’s a future blog post).

Sandy Crews (Rhodes), illustrator. I introduce her to Hank and they later marry. Hank and I date briefly but, as nice as he is, the vibes aren’t there. So one Saturday when he shows up at my apartment unannounced to encourage me to go on a day outing to Williamsburg I defer. But rather than send him off dejected I suggest that he take Sandy, who lives nearby.  I call her and she agrees. They hit it off and become a couple. I’m a matchmaker.

Eleanor Link, high fashion illustrator. She would get sent by train to NYC at the store’s expense, probably for fashion week. As beautiful and timeless as her illustrations were you will never see a navel on an exposed abdomen. Not allowed. I asked her about that once. She told me that the edict came from the 6th floor executive offices.

Bertha Morrissey, fashion illustrator.

Charlotte Saunders, head copywriter and a brilliant woman.

Sarah Gayle Hunter, copy writer who was fuller than life, you always heard her coming.

Bobbie Lynch, copywriter.

Betsy Drake (Allred), copy writer and good friend who matched up with a Latter Day Saints missionary from out west and followed him home to become his wife.

Tuppy Giasi, copywriter. Hank Rhodes was in the army with her husband Billy. I was Hank’s first blind date in our crowd.

Lester Woody, copywriter.

Jackie Blair, regional copy writer either St Catherine’s or St Mary’s background.

Lynn Weakley and Len White, production.

Sherrie Edwards Oliva, proof runner. I got her this job when prior runner, Becky, got married. Sherrie and I share many live adventure stories including the wedding dress one. It was always exciting to tag along with Sherrie to the executive offices. They were so solemn looking and we never saw anyone around.

 

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Filed under 909 antics, Art, college, Miller & Rhoads

Well Deserved Mr Tambourine Man

2015-03-13-1426269049-6907066-bob_dylanthe_mosquesmall

I was there. He mesmerized me. I’d even say it changed my life. I could do anything. Be anything that I wanted to be. It was liberating.

Today my man Bob Dylan received the Nobel Prize for literature. Well deserved Mr Tambourine Man, well deserved. I never met Dylan. But I still have an awesome story about how we came to ride the winds of time together.

The year is 1966. I am just into my last semester as a fine arts student at what was then RPI, now VCU, located in Richmond, Virginia. A division of William & Mary, RPI was a campus cobbled together in the fan district, the part of town where streets fanned out from the centrally located departments stores and town churches to meet the suburbs. School was composed of maybe four actual classroom buildings to include a three story gym with the art department being housed on the third floor. All other classes were held where ever a spot could be found. Mostly carriage houses or old homes.

Campus population was roughly half day students and half boarding, save a separate count of night school students who were mostly professionals adding onto their degrees. Those of us that lived on campus, found ourselves housed in former richly appointed homes. My dorm was the Bocock House on Franklin Street. I was one of its first inhabitants. Mrs Bocock had just opened the second floor of the front half of the house to the college. There were thirteen of us. By the time I graduated our numbers had increased to about twice that size since third floor rooms were added to the mix.

My first room was a corner room (they were huge) and overlooked the formal garden. My second room had hand painted French wall paper that used to drive us insane after a night of drinking. Red, white & blue plumes that danced freely for you. This room was in the middle of the second floor rooms (all the rest were corner rooms) and was actually a sitting room and thus very small compared to the others. Each room had its own bathroom complete with European water closet and claw footed bathtub. We had walk in, and walk through to the adjoining room, closets. Our room had its own small balcony, very Juliet like.

All of this narrative is to set the scene for RPI stories to follow in various posts. It was the sixties, women had curfews and were not allowed to wear pants on campus. I had to wear a raincoat over my bibs to and from art classes to avoid a call to the dean of women’s office. I later got one but that is another story and for another reason.

The day of the Dylan concert I was hanging out at Andy’s on Grace Street, the favored watering hole of business students. I was told recently by a fellow student that art students just did not go to Andy’s. I really was not aware of this pecking order at the time. He explained that art students were not cool enough, or maybe too cool, but they gathered elsewhere. Since my roomie was a retailing major and I dated among her crowd I had a free pass to be among the elite. It was there that my drinking buddy (his gal pal was at home in Georgia birthing their college romance son, no pregnant gals allowed on campus in the sixties) said he had free tickets compliments of a friend that worked in the box office of the Mosque to a nifty concert and would I like to go. He promised it would rock my world. The Mosque was close to campus and appears as it sounds, very big, very ornate and very impressive. All campus dances were held in the lower level ballroom. Another story.

I accept his proposal and we part to prep for our date. When he picked me up, he tells me we can get better tickets than the balcony ones he has. We stop at the box office and trade our second balcony tickets in for front row, first balcony. He explains who I am about to see. I know a little about Dylan. A dorm mate had some of his albums, I thought them rough. The house is not packed and at that it is mostly older folks, I did not see anyone from campus. What kind of concert is this going to be?

Then this skinny guy walks out on the stage of this massive place with its elegant side box seats, ornately domed ceiling and layers of velvet curtains. He sits down in a straight back chair set center stage. That’s it. Well, okay a mic, on a stand. But nothing else on that huge stage. Just the man, the guitar, the chair and the mic. He warms up for a minute, probably even smoking a cigarette. And then it begins. I fall in love, He is mesmerizing. A moment in time to treasure. I am a lucky gal.

 

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Filed under 909 antics, Art, college

Vince Vaughan’s Got NOTHING On This Guy

sideboard mermaid

The family sideboard, repaired by friend Will Lockhart, adding more stories to its life.

It’s the early summer of 2006, I am meeting my sister Suzanne in Reedville to help clear out the tiny family one story with an open attic cinderblock, no air conditioning, not even a fan cottage (where Donny & I spent our honeymoon) of some faithful furniture so our aunt can put the property on the market. Suzanne claims the dining room table and chairs where countless hours have been spent eating, playing Pig and assorted other games and just generally enjoying life. I am happy with the sideboard that sat nearby and housed the dishes, playing cards, puzzles and such. Neither are heirlooms, just cast offs someone gave to our grandmother to furnish the cottage. But they’re priceless heritage to us chock full of family history and merriment. Suzanne and I meet, load our respective vehicles and part ways. And then this happens. (As documented ten years ago in my first blog on LiveJournal)

150 miles from home our vintage Suburban opts to mix my life up a bit and blows a tire. The car may be old but the tires are the best and so it is only an annoyance not a bad scene.

It’s 10 o’clock at night on a fast moving interstate, I’m not getting out to investigate. I am thinking I’ve dropped the transmission. I need to call D, Triple A, R who lives a stone’s throw away. My cell phone is quite literally squeezing the last of it’s battery juice into performance. Where’s the charger? In the car I usually drive. Where’s the extra battery? At home.

No panic. I call D, babbling the details before the phone dies. He springs into action and calls the cavalry. As I wait, I envision a night in Richmond. No good. I MUST get home. I power up the phone and call home. The line’s busy. I shut off the phone. 15 minutes later I try again. D answers. Someone come get me I implore. He’s on his way, so is R and Triple A.

3o minutes later R pulls up. He looks at the car. He starts the car. He looks under the car. Flat tire, he proclaims. We dig for the spare. We cannot find the jack. Triple A arrives. He announces the spare flat, too flat for Fix-A-Flat which I do have. The men discuss tire options. All involve the next day. I MUST GET HOME.

100 miles free, $3 a mile after that Triple A offers. I’ll take it. R shoves off after lending me his phone to call D and send him back home. I’ll be along I tell him. Triple A and I go for gas, coffee, and his buddy fresh from breaking up a bar room cat fight. This is gonna be a fun ride. Do you mind if we smoke? They’re nice guys, what can I say?

Imagine riding with Vince Vaughan uncensored easing back with a case of Bud Lite and you’ve got Triple A Buddy. We discover he used to work for the family electrical business. We compare notes on everyone. I am full of discovery.

rocking chair

Scored a pair of these rocking chairs too. Many a daylight hour spent in them on the cinderblock patio. Night time not so much. Mosquitoes.

By the time we get to Chesapeake TAB is sure we have kidnapped him. Only for his good buddy is he along for the ride, but how much farther? He’s not mad, he’s just VV, ready for some Mermaid Topless Bar action. We tell him we are not even in North Carolina yet. He has been to the OBX before. He has forgotten how long the ride through Currituck County is. At 3AM everyone’s agony is over. Triple A from having to deal with no dash lights, TAB from an eternal trip and me from the fumes of death, even though they did have the windows down.

Who needs a limo when you can get a kicking tow truck ride.

And the epilogue.

So I burned the tread right off a brand new tire. What did you do? I’ve been asked. Dunno. Never drifted off the road, stayed pretty much within the speed limit (read pretty much generously), not really that much weight in the car. It carried a heavier load when I took a bunch of stuff aka mostly magazines to Mom’s attic for Suzanne when she was moving west.

Also it turns out the spare was only low on air. Perfectly good to use. I knew Donny kept things right, but who was I to argue that night. Anyway it wasn’t a great spot to be changing a tire. And I never would have gotten to spend 170 miles with Vince Vaughan.

It was my $300 night to remember.

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Filed under Beach Life, family

Sunshine!

anne shirley 1

Anne Shirley of Green Gables talking to Matthew when he picks her up from the train station.

Recently an Etsy customer asks for an ARTBoard commission. Usually I get requests for Marcel the Shell commissions but this one is for an Anne Shirley of Green Gables quote.

This client has seen my other Anne with an e quotes and loves them. She wants her board background to be either a rainbow of color or a focus of blues and purples. She leaves it up to me but asks for a few stars scattered about if they will look good.

She puts down her deposit in the Commission ART Deposit section of my Etsy shop and after we discuss board size and price I work up a couple with her background color choices and send her photos.

She loves them both. I decide to put her quote on the blue and purple board as it is the size we talked about plus I am thinking it will be a better fit for the celestial theme room that she is decorating.

anne shirley 2

Anne to Marilla on the morning she is to be sent back to the orphanage because she is not a boy.

I complete the piece and take a look at the remaining board all primed and waiting for something cheerful. I decide to do another Anne Shirley quote and list it in the shop.

I set the original commission aside because I always like to live with a completed piece for a bit before sending a photo to a client to be sure everything stays satisfactory in my eyes.

bag of sunshine 1

I made her a surprise bag to hold her art.

I read endless pages of script discarding perfect quote after perfect quote because none seem quite right for this rainbow board. Finally I find just the right one.

After both boards are ready I send photos to my client. At this point she is under no obligation to purchase anything although her deposit (which goes toward final payment) covers my work so that’s spent. I explain why I am sending her two photos and assure her that she is under no pressure to buy either but she can have both (or just her original board) for x monies.

“Sandy,” she replies, “I absolutely love both of these! You had no way of knowing, of course, but my friends call me Sunshine, because they know how much I love sunshine.”

She bought both boards.

 

 

 

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Filed under Art, SLAP Boards

This Isn’t About CATS Is It?

big sunflowers

Sunflowers commission created for Katie. Lyrics by her mother Liz.

I recently had the privilege of creating a custom piece of art for a good friend to give to her daughter who was graduating from the Asheville School. For the occasion Liz wrote a song to Katie that is beyond beautiful and so full of love. As I worked through the design process of the commission I determined that phrases from the song needed to be included so that Katie would always have a visual reminder of such a special gift. And while I pondered I recalled the poem I wrote to daughter Emily when she left for college.

This was before the internet. Computers were for offices or maybe games if you were lucky. But there was no word processing, no casual typing with the ease of back space editing. There certainly was no web, or quick browsing. That would come a year or so later and son Donald would elatedly report via the hall payphone from his world at North Carolina School of Science and Math that there was this new thing called the web and you could search for something and get an answer a mere day later or even twelve hours if you were really lucky.

But I digress be it ever so slightly because Donald does figure into this in his own way. His part is that he too left home the same year that Emily did. But he was always 100% focused on NCSSM, since the 7th grade. He would get in. He would go to this amazing state funded educational paradise for his last two years of high school. There was no other recourse. And he did get in, the second youngest student to ever attend. And he did leave home when he was only thirteen and I was not ready, but he was. Completely.

Emily not quite as much. She wanted to go to UNC-CH. She had applied to no other college. “What if I don’t get in?” she suddenly long into the process realized. I assured her that she would get in. And of course she did. But she was still hesitant about it all. So much change. It was overwhelming and scary.

We were having family dinner one night after all the logistics worked out for both when Emily starts ragging me about our cats. They were getting into her stuff or something like that. I don’t recall exactly what. But I do know that we never fought. We disagreed a lot but we respected each other’s point of view and never ever fought. She even said to me one time, “Mom, we never fight. Almost all of my friends fight with their moms. Why don’t we fight?” I looked at her then and said that if she wanted to fight we could but why when we had nothing to fight about. That’s the way we rolled. But this night she was livid. She stormed off. I looked at Donny. He hadn’t a clue to offer. And then it dawned on me.

emily 2

To Emily

I went to her room and sat down on the bed next to her. “This isn’t about cats is it?”

She sniffled, “No.”

“You’ll be fine,” I hugged her. “Just fine.”

And then they left, the two of them almost simultaneously. Donald still gloats that he left a week earlier than Em. The house was so empty, even with three lively boys remaining. The first thing I did was take the leaf out of the dining room table. It looked so big for just the five of us. The second thing I did was write a poem to Emily. I missed her so much!

I had no reason other than a longing to do something. There would be no blog to post it on. No Facebook to share it with friends. I just needed to write and the poem flowed out.

Several years later when we were deep into home schooling the three boys (we gave it a try that fall since they were going to need to change schools anyway) Cricket Magazine opened up their International Cricket League, a monthly competition for readers worldwide, to all ages. Previously the cut off had been age sixteen. I always had the boys enter as an outlet for their creativity. There was a cycle. One month was prose, one photography, one art, one poetry. They all won many times, not always but a good amount of the time. It validated their work and the prizes were fun.  But sometimes the struggle was real. And so Andrew suggested to me that if they had to enter, then I should too since now I could. I couldn’t argue with that. And on the poetry month I entered, “To Emily”.

It won second prize. And made the judges cry.

 

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Filed under college, daughter love, family, Life